Bartoli Design, team consisting of Paolo and Anna Bartoli , continues today experience of design and design culture opened by Carlo Bartoli in 1960 and materialized in numerous collaborations with leading companies in the furniture industry – among other Arflex, Atelier De Berenn Bonaldo, Confalonieri, Colombo Design, Fiam, International Office Concept, Jesse, Kartell, Kristalia, Laurameroni Design Collection, Lualdi Porte, Matteograssi, Move, Nodus, Riva 1920, Rossi di Albizzate, Segis, Steelcase, Tisettanta, Ycami. The research study is marked by a poetic based on simplicity and balance: from the initial concept to product strategies and communication, from concept to product development, the activity of the studio embraces the full spectrum of services design. Bartoli Design also develops projects of architecture, exhibition, interior and urban design.
In 2008 he received the XXI Compasso d’Oro ADI for R606Uno chair, designed for Segis with Fauciglietti Engineering. The sofa Tube for Rossi di Albizzate received the ‘IF Award for Good Industrial Design and was selected for the series of stamps of the Italian Post Office “Italian Design for a new domestic landscape”. Carlo Bartoli has exhibited his work in Italy and abroad: at the Triennale di Milano, at the Victoria and Albert Museum in London, at the Stadt Museum in Cologne and New York, Prague, Hong Kong, Athens, Buenos Aires. The Gaia armchair for Arflex is included in the permanent design collection of the MOMA in New York and the Milan Triennale.
The 4875 chair by Kartell is showcased in the design collection of the National Arts Museum, Centre Pompidou, in Paris. The armchair Breeze by Segis – awarded the ‘ID Design Distinction Award, Apex Product Design Award, Red Dot and IF Award for Good Industrial Design – is depicted on the stamps of the Italian Post Office “Masters of Italian design”. The Sol table designed by Bartoli Design for Bonaldo was awarded the Good Design Award 2010. The jury of the Young & Design gave Carlo Bartoli recognition Apostle of Design 2012, for the work of designers inspired by the needs and the honesty of the project . Tables Still and Octa of Bartoli Design for Bonaldo, received the Red Dot Award 2013 and the Good Design Award 2014.
Supervised during her graduation thesis by the entrepreneur and architect Carlotta De Bevilacqua – current Vice President of Artemide S.p.A. – Sara Moroni obtained her “Laura Magistrale in Disegno Industriale del Prodotto” (Masters Degree in Product Industrial Design) with a specialization in lighting at the Politecnico in Milano in 2006. After graduating, she gained experience as a project manager and as a freelancer gathering skills that lead her to approach design with a multidisciplinary approach: the only lever that can give birth to new ideas and create innovative projects. She set up his very own studio in 2015 with the intention of devoting herself to the design and strategic consultancy in different fields: product, furniture, interior, exhibit, lighting and communication.
Nowadays she cooperates with well-known manufacturers and with esteemed design studios offering design, technical, strategic, supervision and coordination consultancy. According to Silvia design is a project and not styling, ingenuity and not pure creativity.
Bartoli Design, team consisting of Paolo and Anna Bartoli , continues today experience of design and design culture opened by Carlo Bartoli in 1960 and materialized in numerous collaborations with leading companies in the furniture industry – among other Arflex, Atelier De Berenn Bonaldo, Confalonieri, Colombo Design, Fiam, International Office Concept, Jesse, Kartell, Kristalia, Laurameroni Design Collection, Lualdi Porte, Matteograssi, Move, Nodus, Riva 1920, Rossi di Albizzate, Segis, Steelcase, Tisettanta, Ycami. The research study is marked by a poetic based on simplicity and balance: from the initial concept to product strategies and communication, from concept to product development, the activity of the studio embraces the full spectrum of services design. Bartoli Design also develops projects of architecture, exhibition, interior and urban design.
In 2008 he received the XXI Compasso d’Oro ADI for R606Uno chair, designed for Segis with Fauciglietti Engineering. The sofa Tube for Rossi di Albizzate received the ‘IF Award for Good Industrial Design and was selected for the series of stamps of the Italian Post Office “Italian Design for a new domestic landscape”. Carlo Bartoli has exhibited his work in Italy and abroad: at the Triennale di Milano, at the Victoria and Albert Museum in London, at the Stadt Museum in Cologne and New York, Prague, Hong Kong, Athens, Buenos Aires. The Gaia armchair for Arflex is included in the permanent design collection of the MOMA in New York and the Milan Triennale.
The 4875 chair by Kartell is showcased in the design collection of the National Arts Museum, Centre Pompidou, in Paris. The armchair Breeze by Segis – awarded the ‘ID Design Distinction Award, Apex Product Design Award, Red Dot and IF Award for Good Industrial Design – is depicted on the stamps of the Italian Post Office “Masters of Italian design”. The Sol table designed by Bartoli Design for Bonaldo was awarded the Good Design Award 2010. The jury of the Young & Design gave Carlo Bartoli recognition Apostle of Design 2012, for the work of designers inspired by the needs and the honesty of the project . Tables Still and Octa of Bartoli Design for Bonaldo, received the Red Dot Award 2013 and the Good Design Award 2014.
Bartoli Design, team consisting of Paolo and Anna Bartoli , continues today experience of design and design culture opened by Carlo Bartoli in 1960 and materialized in numerous collaborations with leading companies in the furniture industry – among other Arflex, Atelier De Berenn Bonaldo, Confalonieri, Colombo Design, Fiam, International Office Concept, Jesse, Kartell, Kristalia, Laurameroni Design Collection, Lualdi Porte, Matteograssi, Move, Nodus, Riva 1920, Rossi di Albizzate, Segis, Steelcase, Tisettanta, Ycami. The research study is marked by a poetic based on simplicity and balance: from the initial concept to product strategies and communication, from concept to product development, the activity of the studio embraces the full spectrum of services design. Bartoli Design also develops projects of architecture, exhibition, interior and urban design.
In 2008 he received the XXI Compasso d’Oro ADI for R606Uno chair, designed for Segis with Fauciglietti Engineering. The sofa Tube for Rossi di Albizzate received the ‘IF Award for Good Industrial Design and was selected for the series of stamps of the Italian Post Office “Italian Design for a new domestic landscape”. Carlo Bartoli has exhibited his work in Italy and abroad: at the Triennale di Milano, at the Victoria and Albert Museum in London, at the Stadt Museum in Cologne and New York, Prague, Hong Kong, Athens, Buenos Aires. The Gaia armchair for Arflex is included in the permanent design collection of the MOMA in New York and the Milan Triennale.
The 4875 chair by Kartell is showcased in the design collection of the National Arts Museum, Centre Pompidou, in Paris. The armchair Breeze by Segis – awarded the ‘ID Design Distinction Award, Apex Product Design Award, Red Dot and IF Award for Good Industrial Design – is depicted on the stamps of the Italian Post Office “Masters of Italian design”. The Sol table designed by Bartoli Design for Bonaldo was awarded the Good Design Award 2010. The jury of the Young & Design gave Carlo Bartoli recognition Apostle of Design 2012, for the work of designers inspired by the needs and the honesty of the project . Tables Still and Octa of Bartoli Design for Bonaldo, received the Red Dot Award 2013 and the Good Design Award 2014.
Available in Fatty, Tall and Slim sizes, the lamps can be installed individually or in clusters, combining shapes and shades as desired. With their recognizable design and ability to adapt to very different environments, Mom Glossy stages a story about innovation in the world of lighting.
Umberto Asnago has dedicated his working life to the world of design and planning.
In 2006 Asnago, after having held important positions in Giorgetti Spa, completely committed himself to his role as a designer, becoming one of Penta’s historic names.
Thanks to his vast experience and his refined creative toolbox, Umberto Asnago has been the creator of numerous iconic Penta collections.
Born in 1973, he completed his studies in architecture at Politecnico di Milano. From 1997 to 2004, he lived and worked in London, where he collaborated as an architect with Foster + Partners studio.
During that period, he was involved in the construction of an eight-story building for scientific research at the Imperial College and became Project Manager of the Capital City Academy, a high school for 1,400 students, 250 meters long that was inaugurated by Tony Blair.
Upon his return to Italy, he joined Mario Bellini’s studio in a brief experience, after which he set up his own practice in both architecture and design.
Fascinated by the idea of designing at different scales, he quickly started exploring countless themes with a constant interweaving of skills, intuitions and technologies, with the aim of creating a global project space.
He immediately started receiving numerous awards including: the addition of the Vertigo lamp to the permanent collection of the Vitra Design Museum, an honorable mention at the XXI Compasso d’Oro, as well as winning the Red Dot Design Award several times, the Good Design Award and a few selections at the Design Index and the Compasso d’Oro.
His interest in contemporary life issues also led him to actively engage in the world of eco- sustainable architecture, with the construction of POLINS Strategic Innovation Pole, which is a Class A+ CasaClima certified building and finalist for the Renzo Piano Foundation Award.
Bartoli Design, team consisting of Paolo and Anna Bartoli , continues today experience of design and design culture opened by Carlo Bartoli in 1960 and materialized in numerous collaborations with leading companies in the furniture industry – among other Arflex, Atelier De Berenn Bonaldo, Confalonieri, Colombo Design, Fiam, International Office Concept, Jesse, Kartell, Kristalia, Laurameroni Design Collection, Lualdi Porte, Matteograssi, Move, Nodus, Riva 1920, Rossi di Albizzate, Segis, Steelcase, Tisettanta, Ycami. The research study is marked by a poetic based on simplicity and balance: from the initial concept to product strategies and communication, from concept to product development, the activity of the studio embraces the full spectrum of services design. Bartoli Design also develops projects of architecture, exhibition, interior and urban design.
In 2008 he received the XXI Compasso d’Oro ADI for R606Uno chair, designed for Segis with Fauciglietti Engineering. The sofa Tube for Rossi di Albizzate received the ‘IF Award for Good Industrial Design and was selected for the series of stamps of the Italian Post Office “Italian Design for a new domestic landscape”. Carlo Bartoli has exhibited his work in Italy and abroad: at the Triennale di Milano, at the Victoria and Albert Museum in London, at the Stadt Museum in Cologne and New York, Prague, Hong Kong, Athens, Buenos Aires. The Gaia armchair for Arflex is included in the permanent design collection of the MOMA in New York and the Milan Triennale.
The 4875 chair by Kartell is showcased in the design collection of the National Arts Museum, Centre Pompidou, in Paris. The armchair Breeze by Segis – awarded the ‘ID Design Distinction Award, Apex Product Design Award, Red Dot and IF Award for Good Industrial Design – is depicted on the stamps of the Italian Post Office “Masters of Italian design”. The Sol table designed by Bartoli Design for Bonaldo was awarded the Good Design Award 2010. The jury of the Young & Design gave Carlo Bartoli recognition Apostle of Design 2012, for the work of designers inspired by the needs and the honesty of the project . Tables Still and Octa of Bartoli Design for Bonaldo, received the Red Dot Award 2013 and the Good Design Award 2014.